The Acharnians

Author: Aristophanes

Published: 425 BC

This is the first of the series of three Comedies--'The Acharnians,' 'Peace' and 'Lysistrata'--produced at intervals of years, the sixth, tenth and twenty-first of the Peloponnesian War, and impressing on the Athenian people the miseries and disasters due to it and to the scoundrels who by their selfish and reckless policy had provoked it, the consequent ruin of industry and, above all, agriculture, and the urgency of asking Peace. In date it is the earliest play brought out by the author in his own name and his first work of serious importance.

Aesop's Fables

Author:  Aesop

The Kingdom of the Lion

The Wolf and the Crane

The Fisherman Piping

Hercules and the Wagoner

The Ants and the Grasshopper-

The Farmer and the Stork

The Flies and the Honey Pot-

The Man and the Lion

The Farmer and the Cranes-

The Raven and the Swan and many more

Alcestis

Author:  Euripides

Published: 1915

Translated into English rhyming verse with explanatory notes by Gilbert Murray.

The Alcestis would hardly confirm its author's right to be acclaimed "the most tragic of the poets." It is doubtful whether one can call it a tragedy at all. Yet it remains one of the most characteristic and delightful of Euripidean dramas, as well as, by modern standards, the most easily actable. And I notice that many judges who display nothing but a fierce satisfaction in sending other plays of that... author to the

The Athenian Constitution

Author: Aristotle

Part 3

Now the ancient constitution, as it existed before the time of Draco, was organized as follows. The magistrates were elected according to qualifications of birth and wealth. At first they governed for life, but subsequently for terms of ten years. The first magistrates, both in date and in importance, were the King, the Polemarch, and the Archon. The earliest of these offices was that of the King, which existed from ancestral antiquity. To

this was added, secondly, the office of Polemarch, on account of some of the kings proving feeble in war; for it was on this account that Ion was invited to accept the post on an occasion of pressing need.

The Birds

Author:  Aristophanes

Published: 405 BC

'The Birds' differs markedly from all the other Comedies of Aristophanes which have come down to us in subject and general conception. It is just an extravaganza pure and simple--a graceful, whimsical theme chosen expressly for the sake of the opportunities it afforded of bright, amusing dialogue, pleasing lyrical interludes, and charming displays of brilliant stage effects and pretty dresses

Collection of Hesiod, Homer and Homerica

Author:  Hesiod/Homer

The early Greek epic -- that is, poetry as a natural and popular, and not (as it became later) an artificial and academic literary form -- passed through the usual three phases, of development, of maturity, and of decline. No fragments which can be identified as belonging to the first period survive to give us even a general idea of the history of the earliest epic, and we are therefore thrown back upon the evidence of analogy from other forms of literature and of inference from the two great epics which have come down to us. So reconstructed,  the earliest period appears to us as a time of slow development in which the characteristic epic metre, diction, and structure grew up slowly from crude elements and were improved until the verge of maturity was reached.

The Life of Marie Antoinette, Queen of France

Author:  Charles Duke Yonge

Marie Antoinette was a child of fourteen when her mother, the Empress of Austria, arranged for her to leave her family and her country to become the wife of the fifteen-year-old Dauphin, the future King of France. Coming of age in the most public of arenas—eager to be a good wife and strong queen—she warmly embraces her adopted nation and its citizens. She shows her new husband nothing but love and encouragement, though he repeatedly fails to consummate their marriage and in so doing is unable to give what she and the people of France desire most: a child and an heir to the throne. Deeply disappointed and isolated in her own intimate circle, and apart from the social life of the court, she allows herself to remain ignorant of the country's growing economic and political crises, even as poor harvests, bitter winters, war debts, and poverty precipitate rebellion and revenge. The young queen, once beloved by the common folk, becomes a target of scorn, cruelty, and hatred as she, the court's nobles, and the rest of the royal family are caught up in the nightmarish violence of a murderous time

The Eleven Comedies, vol 1

Author: Aristophanes

The eleven plays, all that have come down to us out of a total of over forty staged by our author in the course of his long career, deal with the events of the day, the incidents and personages of contemporary Athenian city life, playing freely over the surface of things familiar to the audience and naturally provoking their interest and rousing their prejudices, dealing with contemporary local gossip, contemporary art and literature, and above all contemporary politics, domestic and foreign. All this farrago of miscellaneous subjects is treated in a frank, uncompromising spirit of criticism and satire, a spirit of broad fun, side-splitting laughter and reckless high spirits. Whatever lends itself to ridicule is instantly seized upon; odd, eccentric and degraded

personalities are caricatured, social foibles and vices pilloried, pomposity and sententiousness in the verses of the poets, particularly the tragedians, and most particularly in Euripides--the pet aversion and constant butt of Aristophanes' satire--are parodied. All is fish that comes to the Comic dramatists net, anything that will raise a laugh is fair game.

The Eleven Comedies, vol 2

Author: Aristophanes

"This Comedy, which was produced by its Author the year after the performance of 'The Clouds,' may be taken as in some sort a companion picture to that piece. Here the satire is directed against the passion of the Athenians for the excitement of the law-courts, as in the former its object was the new philosophy. And as the younger generation--the modern school of thought--were there the subjects of the caricature, so here the older citizens, who took their seats in court as jurymen day by day, to the neglect of their private affairs and the encouragement of a litigious disposition, appear in their turn in the mirror which the satirist holds up." There are only two characters of any importance to the action--Philocleon ('friend of Cleon') and his son Bdelycleon ('enemy of Cleon'). The plot is soon told. Philocleon is a bigoted devotee of the malady of litigiousness so typical of his countrymen and an enthusiastic attendant at the Courts in his capacity of 'dicast' or juryman. Bdelycleon endeavours to persuade hi s father by every means in his power to change this unsatisfactory manner of life for something nobler and

The Categories

Author:  Aristotle

Things are said to be named 'equivocally' when, though they have a common name, the definition corresponding with the name differs for each. Thus, a real man and a figure in a picture can both lay claim to the name 'animal'; yet these are equivocally so named, for, though they have a common name, the definition corresponding with the name differs for each. For should any one define in what sense each is an animal, his definition in the one case will be appropriate to that case only.

On the other hand, things are said to be named 'univocally' which have both the name and the definition answering to the name in common. A man and an ox are both 'animal', and these are univocally so named, inasmuch as not only the name, but also the definition, is the same in both cases: for if a man should state in what sense each is an animal, the statement in the one case would be identical with that in the other. Things are said to be named 'derivatively', which derive their name from some other name, but differ from it in termination. Thus the grammarian derives his name from the word 'grammar', and the courageous man from the word 'courage'.

The Fall of Troy

Author:  Quintus Smyrnaeus

Published: 1913

Homer's "Iliad" begins towards the close of the last of the ten years of the Trojan War: its incidents extend over some fifty days only, and it ends with the burial of Hector. The things which came before and after were told by other bards, who between them narrated the whole "cycle" of the events of the war, and so were called the Cyclic Poets. Of their works none have survived; but the story of what befell between Hector's funeral and the taking of Troy is told in detail, and well told, in a poem about half as long as the "Iliad". Some four hundred years after Christ there lived at Smyrna a poet of whom we know scarce anything, save that his first name was Quintus. He had saturated himself with the spirit of Homer, he had caught the ring of his music, and he perhaps had before him the works of those Cyclic Poets whose stars had paled before the sun. We have practically no external evidence as to the date or place of birth of Quintus of Smyrna, or for the sources whence he drew his materials. His date is approximately settled by two passages in the poem, viz. vi. 531 sqq., in which occurs an illustration drawn from the man-and-beast fights of the amphitheatre, which were suppressed by Theodosius I. (379-395 A.D.);

The Greek View of Life

Author: Goldsworthy Smyrnaeus

Published: 1909

The following pages are intended to serve as a general introduction to Greek literature and thought, for those, primarily, who do not know Greek. Whatever opinions may be held as to the value of translations, it seems clear that it is only by their means that the majority of modern readers can attain to any knowledge of Greek culture; and as I believe that culture to be still, as it has been in the past, the most valuable element of a liberal education, I have hoped that such an attempt as the present to give, with the help of quotations from the original authors, some general idea of the Greek view of life, will not be regarded as labour thrown away. It has been essential to my purpose to avoid, as far as may be, all controversial matter; and if any classical scholar who may come across this volume should be inclined to complain of omissions or evasions I would

beg him to remember the object of the book and to judge it according to its fitness for its own end. "The Greek View of Life," no doubt, is a question-begging title, but I believe it to have a quite intelligible meaning; for varied and manifold as the phases may be that are presented by the Greek civilization, they do nevertheless group themselves about certain ....

Helen of Troy and other Poems

Author: Sara Teasdale

Wild flight on flight against the fading dawn

The flames' red wings soar upward duskily.

This is the funeral pyre and Troy is dead That sparkled so the day I saw it first, And darkened slowly after. I am she Who loves all beauty -- yet I wither it. Why have the high gods made me wreak their wrath -- Forever since my maidenhood to sow Sorrow and blood about me? Lo, they keep Their bitter care above me even now. It was the gods who led me to this lair, That tho' the burning winds should make me weak, They should not snatch the life from out my lips. Olympus let the other women die; They shall be quiet when the day is done And have no care to-morrow. Yet for me

There is no rest. The gods are not so kind To her made half immortal like themselves. It is to you I owe the cruel gift, Leda, my mother, and the Swan, my sire, To you the beauty and to you the bale;

For never woman born of man and maid Had wrought such havoc on the earth as I, Or troubled heaven with a sea of flame That climbed to touch the silent whirling stars And blotted out their brightness ere the dawn.   Have I not made the world to weep enough? Give death to me. Yet life is more than death; How could I leave the sound of singing winds, The strong sweet scent that breathes from off the sea,

Or shut my eyes forever to the spring?

Nature of Things

Author: Lucretus

Mother of Rome, delight of Gods and men, Dear Venus that beneath the gliding stars Makest to teem the many-voyaged main And fruitful lands- for all of living things Through thee alone are evermore conceived, Through thee are risen to visit the great sun- Before thee, Goddess, and thy coming on, Flee stormy wind and massy cloud away, For thee the daedal Earth bears scented flowers, For thee waters of the unvexed deep Smile, and the hollows of the serene sky Glow with diffused radiance for thee! For soon as comes the springtime face of day, And procreant gales blow from the West unbarred, First fowls of air, smit to the heart by thee, Foretoken thy approach, O thou Divine, And leap the wild herds round the happy fields Or swim the bounding torrents. Thus amain, Seized with the spell, all creatures follow thee Whithersoever thou walkest forth to lead, And thence through seas and mountains and swift streams, Through leafy homes of birds and greening plains, Kindling the lure of love in every breast, Thou bringest the eternal generations forth, Kind after kind. And since 'tis thou alone Guidest the Cosmos, and without thee naught Is risen to reach the shining shores of light, Nor aught of joyful or of lovely born, Thee do I crave co-partner in that verse Which I presume on Nature to compose For Memmius mine, whom thou hast willed to be Peerless in every grace at every hour- Wherefore indeed, Divine

AN ACCOUNT OF EGYPT

By Herodotus

HERODOTUS was born at Halicarnassus, on the southwest coast of Asia Minor, in the early part of the fifth century, B. C. Of his life we know almost nothing, except that he spent much of it traveling, to collect the material for his writings, and that he finally settled down at Thurii, in southern Italy, where his great work was composed. He died in 424 B. C. The subject of the history of Herodotus is the struggle between the Greeks and the barbarians, which he brings down to the battle of Mycale in 479 B. C. The work, as we have it, is divided into nine books, named after the nine Muses, but this division is probably due to the Alexandrine grammarians. His information he gathered mainly from oral sources, as he traveled through Asia Minor, down into Egypt, round the Black Sea, and into various parts of Greece and the neighboring countries. The chronological narrative halts from time to time to give opportunity for descriptions of the country, the people, and their customs and previous history; and the political account is constantly varied by rare tales and wonders.  Among these descriptions of countries the most fascinating to the modern, as it was to the ancient, reader is his account of the marvels of the land of Egypt. From the priests at Memphis, Heliopolis, and the Egyptian Thebes he learned what he reports of the size of the country, the wonders of the Nile, the ceremonies of their religion, the sacredness of their animals. He tells also of the strange ways of the crocodile

The Decameron of Giovanni Boccaccio

Author: Giovanni Boccaccio

Giovanni Boccaccio began writing The Decameron in 1350 and finished a couple of years later. The word Decameron comes from two Greek words "deca" meaning ten, and "µ??a" meaning day. Together the words mean a ten day event. The story takes place over ten days. The novel takes place in 14th Century medieval Italy during the time of the Black Plague. The novel is in the form of a frame narrative--a story within a story. Seven young women and three young men flee from Florence to an uninhabited villa in the countryside of Fiesole. Each person gets to be King or Queen for the day, and gets to pick a theme for that day's stories. Each person tells a story everyday. The book is written in a style referred to as frame narrative. This is a concept in which a story is written within a story and perhaps within another story. The plot of Boccaccio’s novel is set around the Bubonic Plague and follows through with a description of the experiences of seven young women and three young men who fled from the plague infested city of Florence safe harbor in a villa on the outskirts of the city. “The Decameron” is a representation of the social, physical and psychological effects of the “Black Death.” Some even say that the main focus was on the desire for escape. Boccaccio had a lot of satire in this work. The teachings of the Roman Catholic Church were heavily ridiculed. This was said to be a reflection of the feeling that people began to have for the church at the time.

Ethics

Aristotle

The Ethics of Aristotle is one half of a single treatise of which his Politics is the other half. Both deal with one and the same subject. This subject is what Aristotle calls in one place the "philosophy of human affairs;" but more frequently Political or Social Science. In the two works taken together we have their author's whole theory of human conduct or practical activity, that is, of all human activity which is not directed merely to knowledge or truth. The two parts of this treatise are mutually complementary, but in a literary sense each is independent and self-contained. The proem to the Ethics is an introduction to the whole subject, not merely to the first part; the last chapter of the Ethics points forward to the Politics, and sketches for that part of the treatise the order of enquiry to be pursued (an order which in the actual treatise is not adhered to). The principle of distribution of the subject-matter between the two works is far from obvious, and has been much debated. Not much can be gathered from their titles, which in any case were not given to them by their author. Nor do these titles suggest any very compact unity in the works to which they are applied: the plural forms, which survive so oddly in English (Ethics, Politics), were intended to indicate the treatment within a single work of a group of connected questions. The unity of the first group arises from their centring round the topic of character, that of the second

Euthyphro

Plato

In the Meno, Anytus had parted from Socrates with the significant words: 'That in any city, and particularly in the city of Athens, it is easier to do men harm than to do them good;' and Socrates was anticipating another opportunity of talking with him. In the Euthyphro, Socrates is awaiting his trial for impiety. But before the

trial begins, Plato would like to put the world on their trial, and convince them of ignorance in that very matter touching which Socrates is accused. An incident which may perhaps really have occurred in the family of Euthyphro, a learned Athenian diviner and soothsayer, furnishes the occasion of the discussion.

This Euthyphro and Socrates are represented as meeting in the porch of the King Archon. (Compare Theaet.) Both have legal business in hand. Socrates is defendant in a suit for impiety which Meletus has brought against him (it is remarked by the way that he is not a likely man himself to have brought a suit against another); and Euthyphro too is plaintiff in an action for murder, which he has brought against his own father. The latter has originated in the following manner:--A poor dependant of the family had slain one of their domestic slaves in Naxos. The guilty person was bound and thrown into a ditch by the command of Euthyphro's father, who sent to the interpreters of religion at Athens to ask what should be done with him. Before the messenger came back the criminal had died from hunger and

The Golden Sayings of Epictetus

Are these the only works of Providence in us? What words suffice to praise or set them forth? Had we but understanding, should we ever cease hymning and blessing the Divine Power, both openly and in secret, and telling of His gracious gifts? Whether digging or ploughing or eating, should we not sing the hymn to God:-- Great is God, for that He hath given us such instruments to till the ground withal: Great is God, for that He hath given us hands, and the power of swallowing and digesting; of unconsciously growing and breathing while we sleep! Thus should we ever have sung: yea and this, the grandest and divinest hymn of all:-- Great is God, for that He hath given us a mind to apprehend these things, and duly to use them! What then! seeing that most of you are blinded, should there not be some one to fill this place, and sing the hymn to God on behalf of all men? What else can I that am old and lame do but sing to God? Were I a nightingale, I should do after the manner of a nightingale. Were I a swan, I should do after the manner of a swan. But now, since I am a reasonable being, I must sing to God: that is my work: I do it, nor will I desert this my post, as long as it is granted me to hold it; and upon you too I call to join in this self-same hymn.II How then do men act? As though one returning to his country who had sojourned for the night in a fair inn, should be so captivated thereby as to take up his abode

Poetics

THE POETICS OF ARISTOTLE

I propose to treat of Poetry in itself and of its various kinds, noting the essential quality of each; to inquire into the structure of the plot as requisite to a good poem; into the number and nature of the parts of which a poem is composed; and similarly into whatever else falls within the same inquiry. Following, then, the order of nature, let us begin with the principles which come first. Epic poetry and Tragedy, Comedy also and Dithyrambic: poetry, and the music of the flute and of the lyre in most of their forms, are all in their general conception modes of imitation. They differ, however, from one: another in three respects,--the medium, the objects, the manner or mode of imitation, being in each case distinct. For as there are persons who, by conscious art or mere habit, imitate and represent various objects through the medium of colour and form, or again by the voice; so in the arts above mentioned, taken as a whole, the imitation is produced by rhythm, language, or 'harmony,' either singly or combined. Thus in the music of the flute and of the lyre, 'harmony' and rhythm alone are employed; also in other arts, such as that of the shepherd's pipe, which are essentially similar to these. In dancing, rhythm alone is used without 'harmony'; for even dancing imitates character, emotion, and action, by rhythmical movement.

There is another art which imitates by means of language alone, and

Maha-bharata

The scene of the Epic is the ancient kingdom of the Kurus which flourished along the upper course of the Ganges; and the historical fact on which the Epic is based is a great war which took place between the Kurus and a neighbouring tribe, the Panchalas, in the thirteenth or fourteenth century before Christ.

According to the Epic, Pandu and Dhrita-rashtra, who was born blind, were brothers. Pandu died early, and Dhrita-rashtra became king of the Kurus, and brought up the five sons of Pandu along with his hundred sons.

Yudhishthir, the eldest son of Pandu, was a man of truth and piety; Bhima, the second, was a stalwart fighter; and Arjun, the third son, distinguished himself above all the other princes in arms. The two youngest brothers, Nakula and Sahadeva, were twins. Duryodhan was the eldest son of Dhrita-rashtra and was jealous of his cousins, the sons of Pandu. A tournament was held, and in the course of the day a warrior named Karna, of unknown origin, appeared on the scene and proved himself a worthy rival of Arjun. The rivalry between Arjun and Karna is the leading thought of the Epic, as the rivalry between Achilles and Hector is the leading thought of the Iliad. It is only necessary to add that the sons of Pandu as well as Karna, were, like the heroes of Homer, god-born chiefs. Some god inspired the birth of each. Yudhishthir was the son of Dharma or Virtue, Bhima of Vayu or Wind,

The Odyssey

This translation is intended to supplement a work entitled "The Authoress of the Odyssey", which I published in 1897. I could not give the whole "Odyssey" in that book without making it unwieldy, I therefore epitomised my translation, which was already completed and which I now publish in full. I shall not here argue the two main points dealt with in the work just mentioned; I have nothing either to add to, or to withdraw from, what I have there written. The points in question are: (1) that the "Odyssey" was written entirely at, and drawn entirely from, the place now called Trapani on the West Coast of Sicily, alike as regards the Phaeacian and the Ithaca scenes; while the voyages of Ulysses, when once he is within easy reach of Sicily, solve themselves into a periplus of the island, practically from Trapani back to Trapani, via the Lipari islands, the Straits of Messina, and the island of Pantellaria; (2) That the poem was entirely written by a very young woman, who lived at the place now called Trapani, and introduced herself into her work under the name of Nausicaa. The main arguments on which I base the first of these somewhat startling contentions, have been prominently and repeatedly before the English and Italian public ever since they appeared (without rejoinder) in the "Athenaeum" for January 30 and February 20, 1892. Both contentions were urged (also without rejoinder) in the Johnian "Eagle" for the Lent and October terms of the same year. Nothing to which I should reply has reached me from any quarter, and knowing how anxiously I have endeavoured to learn the existence of any

Treatises on Friendship and Old Age

Author: Marcus Tullius Cicero

MARCUS TULLIUS CICERO, the greatest of Roman orators and the chief master of Latin prose style, was born at Arpinum, Jan. 3,106 B.C. His father, who was a man of property and belonged to the class of the "Knights," moved to Rome when Cicero was a child; and the future statesman received an elaborate education in rhetoric, law, and philosophy, studying and practising under some of the most noted teachers of the time.

He began his career as an advocate at the age of twenty-five, and almost immediately came to be recognized not only as a man of brilliant talents but also as a courageous upholder of justice in the face of grave political danger. After two years of practice he left Rome to travel in Greece and Asia, taking all the opportunities that offered to study his art under distinguished masters. He returned to Rome greatly improved in health and in professional skill, and in 76 B. C. was elected to the office of quaestor. He was assigned to the province of Lilybarum in Sicily, and the vigor and justice of his administration earned him the gratitude of the inhabitants. It was at their request that he undertook in 70 B. C. the Prosecution of Verres, who as Praetor had subjected the Sicilians to incredible extortion and oppression; and his successful conduct of this case, which ended in the conviction and banishment of Verres, may be said to have launched him on his political career. He became aedile in the same year, in 67 B.C. praetor, and in 64 B. C. was elected consul by a large majority. The most important event of the year of his consulship was the conspiracy of Catiline. This notorious criminal of patrician rank had conspired with a number of others,

Tales of Troy

Author: Andrew Lang

Long ago, in a little island called Ithaca, on the west coast of Greece, there lived a king named Laertes. His kingdom was small and mountainous. People used to say that Ithaca "lay like a shield upon the sea," which sounds as if it were a flat country. But in those times shields were very large, and rose at the middle into two peaks with a hollow between them, so that Ithaca, seen far off in the sea, with her two chief mountain peaks, and a cloven valley between them, looked exactly like a shield. The country was so rough that men kept no horses, for, at that time, people drove, standing up in little light chariots with two horses; they never rode, and there was no cavalry in battle: men fought from chariots. When Ulysses, the son of Laertes, King of Ithaca grew up, he never fought from a chariot, for he had none, but always on foot. If there were no horses in Ithaca, there was plenty of cattle. The father of Ulysses had flocks of sheep, and herds of swine, and wild goats, deer, and hares lived in the hills and in the plains. The sea was full of fish of many sorts, which men caught with nets, and with rod and line and hook. Thus Ithaca was a good island to live in. The summer was long, and there was hardly any winter; only a few cold weeks, and then the swallows came back, and the plains were like a garden, all covered with wild flowers--violets, lilies, narcissus, and roses. With the blue sky and the blue sea, the island was beautiful. White temples stood on the shores; and the Nymphs, a sort of fairies, had their little shrines built of stone, with wild rose-bushes hanging over them. Other islands lay within sight, crowned with mountains, stretching away, one behind the other, into

The Republic

By Plato

The Republic of Plato is the longest of his works with the exception of the Laws, and is certainly the greatest of them. There are nearer approaches to modern metaphysics in the Philebus and in the Sophist; the Politicus or Statesman is more ideal; the form and institutions of the State are more clearly drawn out in the Laws; as works of art, the Symposium and the Protagoras are of higher excellence. But no other Dialogue of Plato has the same largeness of view and the same perfection of style; no other shows an equal knowledge of the world, or contains more of those thoughts which are new as well as old, and not of one age only but of all. Nowhere in Plato is there a deeper irony or a greater wealth of humour or imagery, or more dramatic power. Nor in any other of his writings is the attempt made to interweave life and speculation, or to connect politics with philosophy. The Republic is the centre around which the other Dialogues may be grouped; here philosophy reaches the highest point (cp, especially in Books V, VI, VII) to which ancient thinkers ever attained. Plato among the Greeks, like Bacon among the moderns, was the first who conceived a method of knowledge, although neither of them always distinguished the bare outline or form from the substance of truth;

Politics A Treatise on Government

By Aristotle

The Politics of Aristotle is the second part of a treatise of which the Ethics is the first part. It looks back to the Ethics as the Ethics looks forward to thee Politics. For Aristotle did not separate, as we are inclined to do, the spheres of the statesman and the moralist. In the Ethics he has described the character necessary for the good life, but that life is for him essentially to be lived in society, and when in the last chapters of the Ethics he comes to the practical application of his inquiries, that finds expression not in moral exhortations addressed to the individual but in a description of the legislative opportunities of the statesman. It is the legislator's task to frame a society which shall make the good life possible. Politics for Aristotle is not a struggle between individuals or classes for power, nor a device for getting done such elementary tasks as the maintenance of order and security without too great encroachments on individual liberty. The state is "a community of

well-being in families and aggregations of families for the sake of a perfect and self-sufficing life." The legislator is a craftsman whose material is society and whose aim is the good life. In an early dialogue of Plato's, the Potagoras, Socrates asks Protagoras why it is not easy to find teachers  of virtue as it is to find teachers of swordsmanship,

Great Expectations

Charles Dickens

My father's family name being Pirrip, and my Christian name Philip, my infant tongue could make of both names nothing longer or more explicit than Pip. So, I called myself Pip, and came to be called Pip. I give Pirrip as my father's family name, on the authority of his tombstone and my sister,--Mrs. Joe Gargery, who married the blacksmith. As I never saw my father or my mother, and never saw any likeness of either of them (for their days were long before the days of photographs), my first fancies regarding what they were like were unreasonably derived from their tombstones. The shape of the letters on my father's, gave me an odd idea that he was a square, stout, dark man, with curly black hair. From the character and turn of the inscription, "Also Georgiana Wife of the Above," I drew a childish conclusion that my mother was freckled and sickly. To five little stone lozenges, each about a foot and a half long, which were arranged in a neat row beside their grave, and were sacred to the memory of five little brothers of mine,--who gave up trying to get a living, exceedingly early in that universal struggle,--I am indebted for a belief I religiously entertained that they had all been born on their backs with their hands in their trousers-pockets, and had never taken them out in this state of existence. Ours was the